Tell Me I Will

Mar. 25th, 2017 12:30 am
[syndicated profile] rollingaroundinmyhed_feed

Posted by Dave Hingsburger

The little wheelchair symbol had worn off the centre of the table, granted, but as it's the only one of two tables, amongst over a hundred, you'd imagine that it would be easy to notice that two chairs are missing. But maybe I just know what that means because that's the kind of table that I need to sit at. There she sat, completely unaware of me lingering about waiting for a revelation to strike while she tapped away on her phone while eating her lunch.

We ordered our food and waited as it was being prepared. My hopes that she would be a speedy eater were low to begin with, she looked like someone who chewed. The food came but she hadn't left. So I screwed up my gumption and headed over to ask her to move. There were lots of other tables available but I still hated asking her. She responded with a quick apology and a quick move.

But why ...

... do I feel that she gave me something that I need to be grateful to her for?

... do I feel that I intruded into her lunch and was a bother to her?

... do I feel that I do not have as much right to space that is designated for me and those like me as she does for her and people like her.

... do I feel like my 'ask' could have been acceptably turned down?

Being disabled, for me, is sometimes just too complex and I have yet to come to terms with my right to space and my right for appropriate accommodation And it's been over ten years!

Will I ever get it?

Cover shoot progress

Mar. 24th, 2017 06:59 pm
darkemeralds: Jared Padalecki in Regency attire (Restraint Tristan)
[personal profile] darkemeralds

I now have most of the props for my book cover photo shoot. Spray paint, pins, hot glue, RIT Dye, masking tape, old curtains, bits of hardware, an actual riding crop off eBay--I really haven't had this much crafty fun in ages.

The lighting is pretty good. I'm pleased with the complementary orange/blue color scheme--which was a happy accident. It was time to put a body in the chair and start testing poses.

So I asked my sister to don the shirt and drape the (very skinny) "buckskin breeches" (linen drawstring pants, still awaiting modification) over her legs, and strike the attitude.

I liked the effect, so I pasted on the head of the actual model I hope to hire for the photo shoot.

test book cover art for Restraint, showing a long haired and barefoot young man in Regency garb lounging in an ornate wingback chair

(The professional graphic designer will be charged with a real layout and real fonts. It's still up to me to tweak the costume. The draped column might have to go.)

What do you think?

bironic: Neil Perry gazing out a window at night (Default)
[personal profile] bironic
My promotion actually went through at work! I have a modified title and a tiny raise. My supervisor had coached me to brace myself for nothing, given looming budget cuts across the whole organization, so even a little bit is a nice surprise; and while it's taken three and a half years to claw back up to what I was making at my last job, I still don't regret the move. Best of all, the upgrade doesn't involve doing much more than I'm doing now.

This news was especially welcome on the heels of a weekend where I learned that revisiting season one of BtVS + reading some BtVS fics + washing my hair for the first time since the temporary straightening and discovering that it looked like the worst perm I'd ever gotten back in high school = broody, self-recriminating fugue. Fascinating how a couple of days of rekindling a yearning to be Willow and to have an intense core friend group and mentor and whatnot could send me right back to a college-era headspace like that.

But it faded with a little socializing and a return to the work week. I went to an annual St. Patrick's Day concert with a couple of coworkers. This year's theme involved wandering back and forth through time, from the 1600s to contemporary pieces, tracing some of the threads of the evolution of Celtic music, song and dance. A wonderful local-ish musician, Keith Murphy, led a reinterpretation of the shape-note song Clamanda that I'd grown to love when Ann Leckie mentioned it in a discussion of the music she'd included in Ancillary Justice.

(And my hair is fine now. It just took two showers to get back to normal.)

*

And now today, a vidding zine that Lim has been working on for months has gone live! It's got essays on various aspects of vidding, close readings of vids, ruminations on vidding history, vidder profiles and interviews, stories about copyright appeals, and more, from 16 international contributors.

VIDELICET

*warning: the landing page is a still graphic, but when you click through to the article index pages you will get some animated gifs. details below

Lim asked me to write about the Mashup exhibit, so I expanded my Dreamwidth report from last year to include new stuff about, for example, wrestling with legal questions before accepting the invitation to have "Starships!" included, deciding whether to use my RL or fannish name, brief reflections one year on, and some graphics that tried to capture my general feeling of "OMG" from the months leading up to the gallery opening. The article also features write-ins from Kandy Fong, Lim and [personal profile] heresluck. You can check it out here.

I'm at a local conference this weekend and don't expect to be online much, but what I've seen so far has been fantastic -- dynamic design customized to each article, beyond the compelling subject matter -- and I'm looking forward to reading/watching the rest.

*The All Articles index has animated gifs, although the mobile version doesn't seem to. You can avoid them if you go to the About page, and the Contributors page links to the articles by author. At a glance, the Glitter and Gold essay had a flashy gif (and the History of Vidding essay had a subtler one) that the gif-sensitive might want to be warned about.

My piece was given an auto-playing background video in the "Screening Room" section, and there's a non-flashy gif in the slide show embedded in the "Sh*t Gets Real" section. Also FYI, the section headers font and a few pix are styled with deconstructed red and blue like you would see in 3D materials before you put the glasses on.

Late, but it's still Friday in places

Mar. 24th, 2017 06:21 pm
usernamehere: scared (scared)
[personal profile] usernamehere posting in [community profile] followfriday
 Got any Follow Friday-related posts to share this week? Comment here with the link(s).
Here's the plan: every Friday, let's recommend some people and/or communities to follow on Dreamwidth. That's it. No complicated rules, no "pass this on to 7.328 friends or your cat will die". Just introduce us to some new things to read.
genusshrike: 'Wish' icon (Default)
[personal profile] genusshrike
My long weekend of Mass Effect got off to a bad start when, after spending the morning waiting for the courier, I discovered the PC version I had preordered was a box with a download code inside it >:-( Apparently the store hadn't realised till the stock arrived, but I was pretty pissed off. If I’d known I was going to have to use half my internet allowance downloading it anyway, I would have got it straight off Origin …

Also my poor computer can barely run it, so I’m playing on lowest graphic quality. I always thought it would be the battles that would suffer the most from not meeting spec, but actually it’s the Nexus my computer has the most trouble with.

I may have gone and ordered a new CPU.

Read more... )

Race, Gender, and Book Reviews

Mar. 24th, 2017 03:39 pm
[syndicated profile] sociological_images_feed

Posted by Lisa Wade, PhD

Flashback Friday.

In a post at Fairness and Accuracy in Reporting, Steve Rendall and Zachary Tomanelli investigated the racial breakdown of the book reviewers and authors in two important book review venues, the New York Times Book Review and C-SPAN’s After Words.  They found that the vast majority of both reviewers and authors were white males.

Overall, 95% of the authors and 96% of the reviewers were non-Latino white (compare that with the fact that whites are just over 60% of the U.S. population as of 2016).

Women accounted for between 13 and 31% of the authors and reviewers:

This is some hard data showing that white men’s ideas are made more accessible than the ideas of others, likely translating into greater influence on social discourse and public policy.  These individuals certainly don’t all say the same thing, nor do they necessarily articulate ideas that benefit white men, but a greater diversity of perspectives would certainly enrich our discourse.

Via Scatterplot.

Originally posted in September, 2010.

Lisa Wade, PhD is a professor at Occidental College. She is the author of American Hookup, a book about college sexual culture, and a textbook about gender. You can follow her on Twitter, Facebook, and Instagram.

(View original at https://thesocietypages.org/socimages)

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